#ya
Florencia Rovlich, Ygor Gama
This snapshot shows us the explosive power of a protest action in South America while aesthetically flaring up: Color bombs, dancing shadows on flickering facades and enraged people.
When people encounter each other, it won’t happen completely without tensions. May they try to show themselves as sympathetic, successful and politically correct as they possibly can – their inner selves will always differ. It is worth discovering that. These movies offer a deeper sight.
This snapshot shows us the explosive power of a protest action in South America while aesthetically flaring up: Color bombs, dancing shadows on flickering facades and enraged people.
Prejudices? Yes. No. Maybe.
A simple situation turns into a political debate while the person concerned doesn’t understand a single word of the discussion.
Life, love and hope – everything is ambiguous. In that way, it can also become possible that “Free Hugs” are offered for two dollars. With an anecdotic sequence and crazy pictures this film shows us the blurring line between irony and idiocy.
An insight into the perfect world of a businessman, who rotates between ties, ornamental fish and coffee shops. But a crack in the surface dissolves the accrued vacuum and states the question about liberation.
The tension regarding an expected surprise is portrayed overwhelming, nearly crushing. Thereby, the shuttered face of the protagonist exposes more than anyone would prefer.
Integration, exchange and attendance: These are not the first terms that come into your mind after seeing this documentary about the life of refugees in Eisenhüttenstadt. The qualities of metal cloud the impression: cold, hard and grey.
Unsuspectedly, this film shows the power of candy that isn’t allowed to be bought. The depths and absurdities of human rage surface.
A roundel of rockets. A dance of explosions. Matched with political revues and hand-shaking grand pliés.